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Kazuo Ishiguro

Sir Kazuo Ishiguro (カズオ・イシグロ or 石黒 一雄), OBE, FRSA, FRSL is a British novelist of Japanese origin and Nobel Laureate in Literature (2017). His family moved to England in 1960. Ishiguro obtained his Bachelor's degree from the University of Kent in 1978 and his Master's from the University of East Anglia's creative writing course in 1980. He became a British citizen in 1982. He now lives in London.

His first novel, A Pale View of Hills, won the 1982 Winifred Holtby Memorial Prize. His second novel, An Artist of the Floating World, won the 1986 Whitbread Prize. Ishiguro received the 1989 Man Booker prize for his third novel The Remains of the Day. His fourth novel, The Unconsoled, won the 1995 Cheltenham Prize. His latest novel is The Buried Giant, a New York Times bestseller. He was awarded the Nobel Prize in Literature 2017.

His novels An Artist of the Floating World (1986), When We Were Orphans (2000), and Never Let Me Go (2005) were all shortlisted for the Man Booker Prize.

In 2008, The Times ranked Ishiguro 32nd on their list of "The 50 Greatest British Writers Since 1945". In 2017, the Swedish Academy awarded him the Nobel Prize in Literature, describing him in its citation as a writer "who, in novels of great emotional force, has uncovered the abyss beneath our illusory sense of connection with the world".


“How so much honourable is such a contest, in which one's moral conduct and achievement are brought as witnesses rather than the size of one's purse.#Page: 10”
Kazuo Ishiguro
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“Democracy is a fine thing. But that doesn't mean citizens have a right to run riot whenever they disagree with something.#Page: 120”
Kazuo Ishiguro
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“A man who aspires to rise above the mediocre, to be something more than the ordinary, surely deserves admiration, even if he fails and loses a fortune on account of his ambitions(...)if one has failed only where others have not had the courage or will to try, there is consolation - indeed, deep satisfaction - to be gained from his observation when looking back over one's life.#Page no.134”
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“Mindig az jár a fejemben, hogy van valahol egy folyó, aminek nagyon gyors a sodrása. És ott a vízben az a két ember, és kapaszkodnak egymásba, kapaszkodnak, ahogy csak tudnak, de végül nem bírják tovább. Túlságosan erős az áramlat. El kell engedniük egymást, és elsodródnak egymástól. Úgy érzem, hogy velünk is ez a helyzet. Igazán kár, Kath, mert egész életünkben szerettük egymást. Mégsem maradhatunk együtt örökre.”
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“...we have the satisfaction of knowing that whatever we did, we did at the time in the best of faith. Of course, we took some bold steps and often did things with much single-mindedness; but this is surely preferable to never putting one's convictions to the test, for lack of will or courage.”
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“I suppose I do not on the whole greatly admire the 'Tortoises' of this world. While one may appreciate their plodding steadiness and ability to survive, one suspects their lack of frankness, their capacity for treachery. And I suppose, in the end, one despises their unwillingness to take chances in the name of ambition or for the sake of a principle they claim to believe in.”
Kazuo Ishiguro
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“There is certainly a satisfaction and dignity to be gained in coming to terms with the mistakes one has made in the course of one’s life”
Kazuo Ishiguro
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“I don't know why, but it didn't seem an option for more than one of us to storm off, and I wanted to make sure that one was me.”
Kazuo Ishiguro
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“It was like being given a maths problem when your brain's exhausted, and you know there's some far-off solution, but you can't work up the energy even to give it a go. Something in me just gave up.”
Kazuo Ishiguro
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“Maybe Ruth thought we'd be spending hours talking about my future; maybe she thought she'd have a big influence on whether or not I changed my mind.But I kept a certain distance from her, just as I did from Tommy. We didn't really talk properly again at the Cottages, and before I knew it, I was saying my goodbyes”
Kazuo Ishiguro
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“An artist's concern is to capture beauty wherever he finds it.”
Kazuo Ishiguro
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“She thinks I've let myself down,' he was saying. 'But I haven't. I'm doing perfectly okay. Endless horizons are all very well when you're young. But get to your age, you've got to ... you've got to get some perspective. That's what kept going round in my head whenever she got unbearable about it. Perspective, she needs perspective. And I kept saying to myself, look, I'm doing okay. Look at loads of other people, people we know. Look at Ray. Look what a pig's arse he's making of his life. She needs perspective.”
Kazuo Ishiguro
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“She might be a great person, but life's so much bigger than just loving someone.”
Kazuo Ishiguro
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“You'll figure it out! You get on your plane and I'll get on mine. And we'll see which one crashes!”
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“Plenty of couples, they start off loving each other, then get tired of each other, end up hating each other. Sometimes though it goes the other way.”
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“But that doesn't mean to say, of course, there aren't occasions now and then - extremely desolate occasions - when you think to yourself: 'What a terrible mistake I've made with my life.' And you get to thinking about a different life, a better life you might have had. For instance, I get to thinking about a life I may have had with you, Mr. Stevens. And I suppose that's when I get angry about some trivial little thing and leave. But each time I do, I realize before long - my rightful place is with my husband. After all, there's no turning back the clock now. One can't be forever dwelling on what might have been. One should realize one has as good as most, perhaps better, and be grateful.”
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“Yes, I do love my husband. I didn't at first. I didn't at first for a long time. When I left Darlington Hall all those years ago, I never realized I was really, truly leaving. I believe I thought of it as simply another ruse, Mr. Stevens, to annoy you. It was a shock to come out here and find myself actually married. For a long time, I was very unhappy, very unhappy indeed.”
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“But you play that passage like it's the -memory- of love. You're so young, yet you know desertion, abandonment. That's why you play that third movement the way you do. Most cellists, they play it with joy. But for you, it's not about joy, it's about the memory of a joyful time that's gone for ever.”
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“People are not two-thirds one thing and the remainder something else. Temperament, personality, or outlook don’t divide quite like that. The bits don’t separate clearly. You end up a funny homogeneous mixture. This is something that will become more common in the latter part of the century—people with mixed cultural backgrounds, and mixed racial backgrounds. That’s the way the world is going.”
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“It had occurred to me to follow her through into the next room, visitors or no visitors, and bring her back for a talk. But in the end I had decided in favour of waiting where I was for her return. Sure enough, a few minutes later, Sophie had come back into the room, but something in her manner had prevented me from speaking and she had gone out again. In fact, although during the following half-hour Sophie had entered and left the room several more times, for all my resolve to make my feelings known to her, I had returned to my newspaper with a strong sense of hurt and frustration.”
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“All you decent, well-meaning gentlemen, let me ask you, have you any idea what sort of place the world is becoming all around you? The days when you could act out of your noble instincts are over. Except of course, you here in Europe don't yet seem to know it.”
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“Even the solitude, I've actually grown to quite like... I do like the feeling of getting into my little car, knowing for the next couple of hours I'll have only the roads, the big gray sky and my daydreams for company.”
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“What I wished more than anything was that the thing hadn't happened at all, and I thought that by not mentioning it I'd be doing everyone else a favor.”
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“What is more, sir," his lordship went on, "I believe I have a good idea of what you mean by 'professionalism.' It appears to mean getting one's way by cheating and manipulating. It appears to mean serving the dictates of greed and advantage rather than those of goodness and the desire to see justice prevail in the world. If that is the 'professionalism' you refer to, sir, I don't care much for it and have no wish to acquire it.”
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“Its was one of those events which at a crucial stage in one's development arrive to challenge and stretch one to the limit of one's ability and beyond, so that thereafter one has a new standard by which to judge oneself.”
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“One is not struck by the truth until prompted quite accidentally by some external event.”
Kazuo Ishiguro
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“Memory, I realize, can be an unreliable thing; often it is heavily coloured by the circumstances in which one remembers.”
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“We all complete. Maybe none of us really understand what we've lived through, or feel we've had enough time.”
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“Perhaps there are those who are able to go about their lives unfettered by such concerns. But for those like us, our fate is to face the world as orphans, chasing through long years the shadows of vanished parents. There is nothing for it but to try and see through our missions to the end, as best we can, for until we do so, we will be permitted no calm.”
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“It's all right. I'm not upset. After all, they were just things. When you've lost your mother and your father, you can't care so much about things, can you?”
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“Everything might scatter. You might be right. I suppose it's something we can't easily get away from. People need to feel they belong. To a nation, to a race. Otherwise, who knows what might happen? This civilisation of ours, perhaps it'll just collapse. And everything scatter, as you put it.”
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“Perhaps one day, all these conflicts will end, and it won't be because of great statesmen or churches or organisations like this one. It'll be because people have changed. They'll be like you, Puffin. More a mixture. So why not become a mongrel? It's healthy.”
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“If I'm alone at home, I get increasingly restless, bothered by the idea that I'm missing some crucial encounter out there somewhere. But if I'm left by myself in someone else's place, I often find myself a nice sense of peace engulfing me. I love sinking into an unfamiliar sofa with whatever book happens to be lying nearby.”
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“What do you think dignity's all about?'The directness of the inquiry did, I admit, take me rather by surprise. 'It's rather a hard thing to explain in a few words, sir,' I said. 'But I suspect it comes down to not removing one's clothing in public.”
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“But then, I suppose, when with the benefit of hindsight one begins to search one's past for such 'turning points', one is apt to start seeing them everywhere.”
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“Perhaps it is indeed time I began to look at this whole matter of bantering more enthusiastically. After all, when one thinks about it, it is not such a foolish thing to indulge in - particularly if it is the case that in bantering lies the key to human warmth.”
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“But this small episode is as good an illustration as any of the hazards of uttering witticisms. By the very nature of a witticism, one is given very little time to assess its various possible repercussions before one is called to give voice to it, and one gravely risks uttering all manner of unsuitable things if one has not first acquired the necessary skill and experience.”
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“After all, what can we ever gain in forever looking back and blaming ourselves if our lives have not turned out quite as we might have wished?”
Kazuo Ishiguro
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“In any case, while it is all very well to talk of 'turning points', one can surely only recognise such moments in retrospect. Naturally, when one looks back to such instances today, they may indeed take the appearance of being crucial, precious moments in one's life; but of course, at the time, this was not the impression one had. Rather, it was as though one had available a never-ending number of days, months, years in which to sort out the vagaries of one's relationship with Miss Kenton; an infinite number of further opportunities in which to remedy the effect of this or that misunderstanding. There was surely nothing to indicate at the time that such evidently small incidents would render whole dreams forever irredeemable.”
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“And so we stood together like that, at the top of that field for what seemed like ages, not saying anything, just holding each other, while the wind kept blowing and blowing at us, tugging our clothes, and for a moment, it seemed like we were holding onto each other because that was the only way to stop us from being swept away into the night.”
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“She always wanted to believe in things.”
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“Because maybe, in a way, we didn't leave it behind nearly as much as we might once have thought. Because somewhere underneath, a part of us stayed like that: fearful of the world around us, and no matter how much we despised ourselves for it--unable quite to let each other go.”
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“And I saw a little girl, her eyes tightly closed, holding to her breast the old kind of world, one that she knew in her heart could not remain, and she was holding it and pleading, never to let her go.”
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“I can see,’ Miss Emily said, ‘that it might look as though you were simply pawns in a game. It can certainly be looked at like that. But think of it. You were lucky pawns. There was a certain climate and now it’s gone. You have to accept that sometimes that’s how things happen in the world. People’s opinions, their feelings, they go one way, then the other. It just so happens you grew up at a certain point in this process.’‘It might be just some trend that came and went,’ I said. ‘But for us, it’s our life.”
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“You see, because [Norfolk is] stuck out here on the east, on this hump jutting into the sea, it's not on the way to anywhere. People going north and south, they bypass it altogether. For that reason, it's a peaceful corner of England, rather nice. But it's also something of a lost corner.'Someone claimed after the lesson that Miss Emily had said Norfolk was England's 'lost corner' because that was were all the lost property found in the country ended up.Ruth said one evening, looking out at the sunset, that 'when we lost something precious, and we'd looked and looked and still couldn't find it, then we didn't have to be completely heartbroken. We still had that last bit of comfort, thinking one day, when we were grown up, and we were free to travel the country, we could always go and find it again in Norfolk.”
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“I think of my pile of old paperbacks, their pages gone wobbly, like they'd once belonged to the sea.”
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“And if these incidents now seem full of significance and all of a piece, it's probably because I'm looking at them in the light of what came later...”
Kazuo Ishiguro
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“What I'm not sure about, is if our lives have been so different from the lives of the people we save. We all complete. Maybe none of us really understand what we've lived through, or feel we've had enough time.”
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“Wenn ich den Eindruck hätte, dass in dem, was Sie da sagen, auch nur ein Körnchen Vernunft steckt, würde ich mir vielleicht die Mühe machen, mich auf eine solche Diskussion einzulassen. Aber wie die Dinge liegen, werde ich einfach an etwas anderes denken, während Sie weiter vor sich hin plappern.”
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“There was surely nothing to indicate at the time that such evidently small incidents would render whole dreams forever irredeemable.”
Kazuo Ishiguro
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